Chorar em público revela mulher superior
24/02/12 17:09
Anna Karina no filme "Viver a vida"
Eis mais uma, entre as tantas, vantagens das fêmeas sobre os marmanjos: a coragem, o destemor, a arte de chorar em público.
Se o choro vem, as mulheres não congelam as lágrimas, como os moços, esses moços, pobres moços…
Não guardam as lágrimas para depois, como nós, que sempre adiamos as cachoeiras interiores, não levam as lágrimas para derramar escondidos na alcova.
Pior ainda é o homem que não chora nunca. Além de fazer mal ao coração, esse tipo não merece muita confiança.
As mulheres não, falo da maioria das fêmeas, desabam em qualquer canto e hora. Se estão mal de amor, choram na firma, no escritório mesmo, na fábrica, choram no trânsito, choram no metrô, simplesmente desabam.
Como invejo as lágrimas sinceras das moças.
Quantas vezes a gente não se preserva, por fraqueza, enquanto as lágrimas, em queda d´água, batem forte no peito machista e viram apenas pedras do gelo do uísque.
Como invejo as mulheres que misturam sim o trabalho com o drama furioso da existência.
Desconfio da frieza profissional, das icebergs de tailleur, que imitam os piores homens e guardam tudo para molhar o travesseiro solitário numa noite de inverno.
Ora, as mulheres podem ser infinitamente poderosas, administrarem plataformas de petróleo nos mares e chorarem um atlântico diante de uma indelicadeza da vida.
Lindas e comoventes as mulheres que choram em público, nas ruas, nos cafés, nos bares, nos restaurantes, no táxi. São antes de tudo umas fortes. Tristes dos que estranham ou ficam envergonhados com o mais verdadeiro dos choros.
Triste dos que acham que não levam a sério, que tratam como sintomas da TPM e chiliques do gênero, que fracasso. Ora, até mesmo os choros de varejo, não importam as causas, são comoventes. Chorar engrandece.
Fazer amor depois de lágrimas, então, é sentir o sal da existência, romanticamente, sem medo de ser ridículo ou cafona.
Acabei de testemunhar uma dessas lindas e corajosas moças, chorava no metrô da avenida Paulista.
Por que chorava aquela moça?
A moça não escondia os soluços do choro. Terá discutido a relação, a velha D.R., à boca da estação Paraíso? Veste roupa de trabalho sério, e chora.
Daqui a pouco estará sentada na sua cadeira de secretária, exímia, bilíngüe, a serviço da grana “que ergue e destrói coisas belas”.
Teria levado um pé-na-bunda, um fora? Teria visto o casamento pelo binóculo do titio Nelson Rodrigues? Perdoa-me por me traíres?
A moça que chorava sabia que o amor -repito o que já disse mil vezes no blog- é como o metrô na avenida Paulista: começa no Paraíso e termina na Consolação.
Apple now has Rhapsody as an app, which is a great start, but it is currently hampered by the inability to store locally on your iPod, and has a dismal 64kbps bit rate. If this changes, then it will somewhat negate this advantage for the Zune, but the 10 songs per month will still be a big plus in Zune Pass’ favor.
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Zune and iPod: Most people compare the Zune to the Touch, but after seeing how slim and surprisingly small and light it is, I consider it to be a rather unique hybrid that combines qualities of both the Touch and the Nano. It’s very colorful and lovely OLED screen is slightly smaller than the touch screen, but the player itself feels quite a bit smaller and lighter. It weighs about 2/3 as much, and is noticeably smaller in width and height, while being just a hair thicker.
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This is getting a bit more subjective, but I much prefer the Zune Marketplace. The interface is colorful, has more flair, and some cool features like ‘Mixview’ that let you quickly see related albums, songs, or other users related to what you’re listening to. Clicking on one of those will center on that item, and another set of “neighbors” will come into view, allowing you to navigate around exploring by similar artists, songs, or users. Speaking of users, the Zune “Social” is also great fun, letting you find others with shared tastes and becoming friends with them. You then can listen to a playlist created based on an amalgamation of what all your friends are listening to, which is also enjoyable. Those concerned with privacy will be relieved to know you can prevent the public from seeing your personal listening habits if you so choose.
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Between me and my husband we’ve owned more MP3 players over the years than I can count, including Sansas, iRivers, iPods (classic & touch), the Ibiza Rhapsody, etc. But, the last few years I’ve settled down to one line of players. Why? Because I was happy to discover how well-designed and fun to use the underappreciated (and widely mocked) Zunes are.
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